Trombone Shorty & Orleans Avenue Biography
New Orleans native Trombone Shorty began his career as a bandleader at the young age of six, toured internationally at age 12, and spent his teens playing with various brass bands throughout New Orleans and touring worldwide with Lenny Kravitz. He fronts Trombone Shorty & Orleans Avenue, a funk/rock/jazz/hip-hop band. Together they have toured across the U.S., Europe, Australia, Russia, Japan and Brazil. In 2010, Trombone Shorty released his debut album, the Grammy®-nominated “Backatown,” followed by “For True” in 2011, which topped Billboard magazine’s Contemporary Jazz Chart for 12 weeks. His newest album, “Say That to This,” was released in 2013 and features funk/jazz elements of New Orleans. Trombone Shorty appeared in several episodes of HBO’s “Treme,” and has recently appeared on “The Tonight Show with Jay Leno, Jimmy Kimmel Live,” “Late Night with Jimmy Fallon” and “Conan.” In 2012, he performed at the White House in honor of Black History Month with music royalty such as B.B. King, Mick Jagger, Jeff Beck and Booker T. Jones. At this year’s Grammy Awards, he performed alongside Madonna, Macklemore & Ryan Lewis, and Mary Lambert. In 2012, he received the President’s Medal from Tulane University in recognition of his charitable work with the Trombone Shorty Foundation, which donates quality instruments to schools across New Orleans.
Founded in 1992 as “14K Harmony,” the group, discovered by manager Kevin Peck, evolved to become “Dru Hill” in 1996, engraving itself into the legacy of R&B music and bringing , dynamic sound to the ever-changing industry. The members of todayʼs Dru Hill include “NOKIO”, “SISQO”, “SMOKE”, and “BLACK”.�Known for hits like “Tell Me,” “In My Bed,” “Never Make a Promise,” and “How Deep Is Your Love,” the group has given the world music for the ages.
Most recently, during Christmas of 2017, Dru Hill expanded their legendary music catalog with the release of their highly anticipated holiday EP, Christmas in Baltimore, which rapidly climbed the charts over the course of the holiday season. In 2018, the quartet became a supergroup when the legendary R&B outfit, Playa, joined its ranks to record Dru Hillʼs sixth studio album, Second Coming. Playa is best known for their smash hit, “Cheers 2 U,” released on Def Jam Recordings in 1998 when the group was a trio, featuring Grammy award-winning SMOKE, BLACK, and STATIC MAJOR (born Stephen Garrett), who passed ,way in 2008. Over the course of their career, Playa has written and produced chart-topping hits with iconic artists like Jodeci, Aaliyah, Timbland, Ginuwine, Lilʼ Wayne, Drake, and Chris Brown.
Over the last 20+ years, Dru Hill has sold over 40 million records worldwide. Recording new material and continuously performing at sold-out venues ,round the globe, Dru Hill continues to solidify its legacy ,s one of the greatest groups of all time.
During Charlie Daniels 50-year career, he has scored hits on the rock, country, pop and Christian charts and counts his awards from the Country Music Association (CMA), Academy of Country Music (ACM), TNN/Music City News Awards, and the Gospel Music Association (GMA) among his many accolades. Born in Wilmington, NC, he was raised on a musical diet that included Pentecostal gospel, local bluegrass bands, rhythm & blues, and country music from the radio, including Nashville’s 650 WSM.
His signature song, “The Devil Went Down to Georgia,” topped both country and pop charts, bringing him international acclaim.
The CDB’s current release is Off the Grid-Doin’ It Dylan, a tribute to Bob Dylan. Little could Charlie Daniels have imagined in the late ’60’s as a young studio musician answering a call from producer Bob Johnston to add his creativity on guitar to three of Dylan’s Nashville produced projects (Nashville Skyline, Self Portrait, and New Morning,) that he was on the first steps of the journey to his own destination as a musical icon.
His first new album project release since 2007, Off The Grid is Dylan the Daniels way and the result is sheer musical genius.
“It was about 50 years ago when I first became aware of Bob Dylan-and no, I was not naïve enough to think I could swim in the same stream, try to emulate what he had done, or cop his licks. Nobody could do that,” notes Daniels. “My ambitions were to provoke some thought, to color the imagery of my songs, to think outside the box of conformity-in other words to be myself.”
Charlie feels the Dylan sessions not only did a lot for his confidence, but helped legitimize him in Nashville circles and beyond as a serious musician. He amply repays the debt of gratitude on this new project.
“Whatever it was Bob Dylan meant by his lyrics, they grabbed the attention of the world and changed the face of music forever,” notes Charlie. “He inspired musicians to knock down the restrictive, bubble gum, three minute a side, Tin Pan Alley world that set the parameters of popular music and turn their creative minds loose in a thousand new directions.”
Charlie Daniels has managed to do just that. During his 50 plus years of creating his own new definitions of music, he has scored hits on rock, country, pop and Christian charts. Skilled on guitar, fiddle, and mandolin, his contributions to country and southern rock are legendary on the path of platinum that’s carried him to virtually every music industry award and accolade presented across multi-genres.
Off The Grid is yet another example of the seemingly endless reservoirs of musical creativity that the now 77 year young Daniels can effortlessly draw upon. The “playing the legend forward” beauty and respect in his tribute to Dylan doesn’t go unnoticed in the tracks.
For the future? “Bob Dylan basically defies description and trying to figure out what he may do next is tantamount to trying to guess which number a roulette ball is going to land on. After 50 years he remains the unrivaled free thinker with the talent and the nerve to follow his musical star wherever it takes him,” notes Daniels.
A note to which a world of listeners of Off The Grid can easily echo, “Back at you Charlie.”
With the allure of a modern day outlaw, Gary Allan has won over fans, peers and critics with his signature blend of smoldering vocals, rebellious lyrics and raucous live performances. While becoming a force on the country music scene, Allan has remained true to his artistic voice each step of the way. Allan re-signed with Universal Music Group Nashville in 2016, the label home for the entirety of his twenty-year career. He is currently finishing up work for his upcoming EMI Nashville release. His last album, SET YOU FREE, topped the Billboard 200 (Pop Chart), a career first for Allan. The album also made its debut at the top of the Billboard Country Album chart (for the fourth time in a row), and produced his fifth #1 country radio chart topper with “Every Storm Runs Out Of Rain.” The California native released his first album, Used Heart for Sale, in 1996 and since then has released eight additional studio albums selling over 7 million albums, been certified platinum on three back-to-back albums, and been certified gold five times. Allan has five #1 hits at country radio, fourteen Top 10 hits to his credit and amassed over 270 million total streams. He’s described as “dark and dreamy” in Entertainment Weekly, “soulful and rough around the edges” in Playboy and deemed a “maverick” by Rolling Stone. He sells out venues as a headliner from NY to LA, appeared on The Tonight Show with Jay Leno, Late Show with David Letterman, Late Night with Jimmy Fallon, Live with Kelly and Michael and Jimmy Kimmel Live. He has also landed on the covers of Country Weekly, Pollstar and People magazine.
Watch a pitcher out on the mound, on any team, from a nine-year-old kid in the Babe Ruth league all the way up to a million dollar ace in the Majors. There’s a look in his eyes—an intensity—that goes right to his core.
And when you see that look in Brett Young’s baby blues, it isn’t too hard to understand what took this California boy from a ball field to the recording studio. His gritty vocals and impassioned lyrics are built on the same firm foundation that had him as a pre-draft selection of the Tampa Bay Devil Rays straight out of high school—hard work, sheer talent and that thing music industry execs and baseball talent scouts alike simply call heart.
Those same qualities have gotten Brett’s songs placed on television shows like MTV’s The Real World and Kardashian pop culture favorite Kourtney and Kim Take New York, and his feet planted firmly on some of the most well-known stages in the world—The Roxy, The Troubador, The Viper Room, sharing those stages with some of pop music’s best and brightest, from Colbie Caillat to Gavin DeGraw to Katy Perry.
Not bad for what Brett Young once thought would just be a “hobby.” But when a major elbow injury and reconstructive surgery took him off the pitcher’s mound for good, he found out that his love for music became so much more, and what he thought was the end was only the beginning.
“Everyone leaves a trail of ‘almosts’ and bittersweet memories behind on the road to ‘the one’,” says Brett. “It happened to me on my journey—it happens to everyone. Now I use those moments when I write music. I guess it is fortunate for me that people most easily relate to heartbreak. I’m an over-emotional, hopeless romantic who feels everything, and that shows in my songs.”
With three independent albums already under his belt, Brett is taking his newest batch of songs into the studio with David Hall at the production helm, known for his GRAMMY Award winning work as an engineer, with artists of nearly every genre. And true to form, he’ll be showcasing that intensity and emotion in his recordings, of songs like “Fire” and “Breathe Again.”
“I grew up with Al Green, Marvin Gaye—soul singers. I like that the emotion carries the songs, where the music is almost secondary,” he says. “Van Morrison’s ‘Crazy Love’—that’s just timeless. They influence me; as a songwriter and a performer, I want to connect like they did. And when your audience feels like they can relate, then you have something much more special than a show, or a sale. You have a fan.”
When it comes to Brett Young, it isn’t so far from a pitcher’s mound to a major stage, and it doesn’t really matter what kind of Big Show you’re talking about. Because in the end, when you have that thing called heart, it shows. You may see it in his eyes, but you’ll hear it in his voice.
Brett has since played venues ranging from House of Blues to Troubadour, and shared the stage with such artists as Mandy Moore, Tyrone Wells, Jason Reeves, Gavin Degraw, Tyler Hilton, Katy Perry, Hoku and many more. Brett recently released his second record, Make Believe and is currently in the studio finishing up his latest album.
Killer Queen are the only tribute to have sold out the same arenas as Queen in their heyday. Patrick and the band’s performances at Forest National and Ahoy were scale recreations of Queen’s epic performances. The band are also the longest established tribute to Queen. The band tour extensively all over Europe and the US – they are regulars at prestige American venues such as Red Rocks and Austin City Limits.
Here are a few highlights from its many successful US tours…
+ Sold-out shows at the famous Hollywood Bowl in Los Angeles (15,000 people)
+ Highland Park in Chicago (20,000 people)
+ Seaside Summer Concert Series in Brooklyn, NY (11,000+ people)
+ Sold-out nights at both the Sunrise Theatre in Fort Pierce, FL and at the Kravis Center in West Palm Beach, FL
+ Sold-out performance at the Wolf Trap in Vienna, VA
ABBA The Concert continues to be the top ABBA tribute group in the world, dazzling all who see with their fantastic performance while playing the most iconic hits from ABBA, including “Mamma Mia,” “S.O.S,” “Money, Money, Money,” “The Winner Takes All,” “Waterloo,” “Gimme, Gimme, Gimme,” and “Dancing Queen.”
Many critics agree, ABBA The Concert is the most amazing and authentic ABBA tribute show in the world. Come dance, come sing, having the time of your life at THE ULTIMATE TRIBUTE CELEBRATION!
* ABBA The Concert is not affiliated with the original ABBA group or Mamma Mia. *
GA Lawn in Advance (Limited tickets available): $26(EARLY BIRD PRICE FOR 7 DAYS) -$36. Gate $41
Chris Young is in complete control.
As the RCA Records Nashville recording artist prepares to release his fifth album, due this Fall, Young has taken over responsibility for conceiving, writing, producing and recording the highly anticipated, I’m Comin’ Over.
Looking for a new approach on an album he knew was extremely important, Young hedged his bet by personally writing a check and quietly cutting six songs. When he played the music for surprised Sony Music Nashville executives, there was one simple response: “Keep going.”
Young, a native of nearby Murfreesboro, Tennessee, and a fixture on the scene since his teens, could easily have approached his latest album on auto-pilot. After all, few have had the kind of run he has. This is his fifth major-label album by the age of 30 – a feat rarely accomplished in modern country music. He’s ratcheted up six No. 1 singles, seven Gold and Platinum certifications, and been nominated for the industry’s most prestigious awards – Academy of Country Music, Country Music Association and The Grammys – taking home a handful of notable trophies, including the American Country Countdown Awards’ Breakthrough Artist of the Year and Single of the Year, and the Country Music Association’s Triple Play Award, given to songwriters who have co-authored three or more chart-topping hits in a year.
Prior to that clandestine recording session that would set the tone for the project, fate stepped in as Young wrestled with the direction of this new album. His longtime friend Josh Hoge suggested he jump in on a co-write with mutual friend Corey Crowder. It was a casual suggestion, not a put-together session dreamed up in a publisher’s building on Music Row. And that invitation changed everything for Young.
“It was just very honest and natural and we really, really hit it off,” Young said. “I was trying to figure out what I wanted to do sonically for this record and what I wanted to say. And it’s an important record. Turning 30. I’ve been doing this for 10 years and you always try to make a statement with each and every record. But this is my fifth record, and after 10 years I better have something important to say.”
Young wrote 9 of the 11 songs, including the title track first single, co-produced the album with Crowder and shepherded each track from demo through final mastering. He knows the LP “inside out, backwards and forwards.”
“It just feels different,” Young said. “There was a lot that changed. The studio band we used was different. This is the first time I’ve co-produced. Half the songs on the record were written by me, Corey and Josh. That was kind of the nucleus of this record, and that was really different for me. Nothing changed for the sake of change. It changed because it was the right way to go.”
Four of the album’s tracks emerged from the trio’s first seven sessions. Young kept the group coming back to the writer’s room and exciting things continued to happen. Two early tracks proved to be special. “I’m Comin’ Over” became a guidepost for Young and Crowder. Technically, the song is a ballad, but there’s nothing slow and steady about it.
“‘I’m Comin’ Over’ honestly is such a sonic bridge for me,” Young said. “It’s a bridge between what I sounded like on the last record and what we’ve done on this one. It’s not like I went out and just completely blew up everything I was doing, but there’s obviously a lot more loops. There’s a lot more stuff that we created in pre-production and brought into the studio along with the musicians. I think that this song is a really good introduction to what you’ll hear on the rest of this record. There’s R&B elements that we brought into some of the songs, and you definitely hear that on top of the second verse. It’s really simple. It’s really short, just a tiny, little moment, but it’s definitely stuff that we wouldn’t have done in the past.”
“As Chris, Josh and I began writing together, the sonic direction seemed to organically take shape,” shared co-producer and co-writer, Corey Crowder. “We all come from different spaces in the music world and our personalities, working styles and strengths really compliment each other.”
You begin to see the producer in Young emerge with a confident strut on the album’s next track, “Heartbeat.” The song is all elevated heart rate, supplied by a thumping heartbeat pulsing just under the instrumentals.
“Chris and I make a really good team,” Crowder said. “We trust each other’s ears and it really
makes the combination work well.”
Young the producer wraps Young the singer’s perfectly mellow traditional country baritone in a more modern context. Many of the songs are bright and bold and aimed for the arena rafters as he moves into the touring headliner’s role, kicking off October 22 with his “I’m Comin’ Over Tour,” featuring openers Eric Paslay and Clare Dunn. “Heartbeat,” for instance will drop right into his live set. And songs like “Sunshine Overtime” and the anthemic “Underdog” are strong arena candidates with their bright colors and racing tempos.
While good times are a heavy presence on the album, Young doesn’t completely leave behind the nuanced emotion of his previous work. “I Know A Guy” and “Sober Saturday Night,” which features Vince Gill on guitar and harmony vocals, help Young round out I’m Comin’ Over with a song for every mood.
“There’s a great history of sad songs in country music and I think that a lot of people have lived that,” Young said. “They’ve had that night where it’s like, ‘Man, I’m so depressed, I don’t even want to leave my house. I’m just going to sit here. I don’t even want to try to drink myself out of being depressed,’ and it’s powerful. But I think there are touch points – I think that’s really what this record is. Hopefully everybody relates to each one of these songs and they have their own experiences.”
Young formed his appreciation for the history of country music listening and watching closely genre ambassadors like Gill, who is best known as a Grammy Award-winning singer and guitarist. But he’s also emerged a powerful producer, and Young would like to see his career follow a similar path. He knew this from the second he saw Gill in concert as a child, sitting in
the grass at Nashville’s old Starwood Amphitheater, watching the legend perform solo acoustic
for a crowd of thousands held at rapt attention.
“I got to sit in his studio and hang out with Vince Gill all day, and it’s just such a weird, cool full- circle thing for me,” Young said. “He’s absolutely someone that I put on a pedestal as a vocalist and a person. It’s like, ‘Oh, my God, I want to be known as an artist who is that good.’”
Young exudes a combination of pride and nervous energy as he talks about rolling out I’m Comin’ Over, first, for family and friends, and now for critics and the public. It’s the most personal album Young has recorded, full of accessible moments that grow out of small things like a look, a touch or a broken bond. And for the first time he’s responsible for almost every hook, solo and lyric, right from the start.
Like Gill, Young takes a personal moment or emotion and elevates it with a universal resonance. When he sings of a day at the beach or the lake, it’s because he’s relaying an experience from his own life, not some anonymous songwriter’s. And when you feel his heartbreak, that’s really his heart breaking.
“It’s no secret I’ve fallen in love before,” Young said. “And I’ve fallen out of love. And I’ve definitely had love fall out on me – that makes for several records worth of music right there. Then, when you combine some of the other stuff that we wrote on this record, it gives it a lot of variety, too. I think that’s important. I could just as easily sit down and write an entire an album of love songs, but I think you have to have the love songs and you have to have the stuff you’re going to play when it’s summer and 100 degrees and everybody’s in T-shirts at a festival. It’s a balancing act. You have to have all the colors on the palette and make them work together.”
A lot of talented children have probably been asked by a parent to entertain family and friends, maybe in the living room, maybe sing a little, play an instrument. No big deal and a good way to get used to performing for others. But when Jason Bonham was a small child and got called in to entertain, the family friends he played his drums for could be anyone from Jimmy Page to some of the guys from the group Bad Company. That’s what happens when your father is drummer John Bonham, one of the original members of the legendary rock band Led Zeppelin.
At the age of only five, Jason could play the drums, at least a scaled-down set of them, with skill. When he was 17 he was a member of the band Air Race. The group signed a record contract with Atlantic Records, recorded one album, and opened for big names like Queen, Meat Loaf, Ted Nugent, and AC/DC. John Bonham died in 1980, but Jason, who has marked a few places in music history himself, has stepped in from time to time to help keep his father’s memory alive.
In 1988, Jason took his father’s spot in the televised, first-ever Led Zeppelin reunion at the Atlantic Records 40th Anniversary concert, which included Robert Plant, Jimmy Page, and John Paul Jones. Later than year. he went on to tour with Page and recorded the album Outrider with him.
By 1989, he completed the album The Disregard of Timekeeping, in his new band called “Bonham”. One of the tracks from this first effort, “Wait for You,” earned him a gold record. By 1992, with partners like Canadian vocalist Daniel MacMaster, guitarist Ian Hatton, and bassist and keyboardist John Smithson, Bonham finished another album: Mad Hatter.
Jason teamed up with greats like Paul Rodgers, Slash, David Gilmour, Jeff Beck and others in 1993 to work on a Tribute to Muddy Waters album. The record’s success brought a nomination for a Grammy Award. A year later, Jason, along with Rodgers and Slash, appeared at the memorable Woodstock II. That same year, he recorded a new album, Peace 4 Me, in his group now known as Motherland with Marti Frederksen on vocals.
In May 1990, Jason married Jan Charteris, in Stone, Kidderminster in a wedding reception that included a jam with Jimmy Page, Robert Plant, and John Paul Jones.
Jason represented his father when Led Zeppelin was inducted into the Rock and Roll Hall of Fame in January 1995, with his sister Zoe by his side. He soon put together another solo project which culminated in “In the Name of My Father – The Zepset” cd, which featured the songs of Led Zeppelin. Proceeds from the album went to charity. The album followed up with When You See the Sun.
The Healing Sixes soon caught his attention and decided to tour and record them the Indiana-based band, from 1999–2003. In 2001, Jason appeared in the film Rock Star which starred Mark Wahlberg. The band in the movie, Steel Dragon recorded the songs featured in the movie and the soundtrack.
Following an album with Debbie Bonham, the younger sister of John Bonham, Jason was invited to drum for hard rock group UFO. In 2006, he also recorded with Joe Bonamassa.
Jason starred with Ted Nugent, Evan Seinfeld (Biohazard), Sebastian Bach (Skid Row) and Scott Ian (Anthrax) on the VH1 reality tv show, “SuperGroup”, in May 2006. The musicians formed a band called Damnocracy for the show, during which they lived in a mansion in Las Vegas for twelve days and created music. Most recently, Jason has performed and recorded with Foreigner.
On December 10th, 2007, Jason played drums in the most anticipated concert of all time – the Led Zeppelin reunion at London’s O2 arena with surviving members Jimmy Page, John Paul Jones and Robert Plant.
Due to the anticipated crowd size of this show lawn chairs will not be permitted for GA Lawn seats. Venue will have on site folding chairs for patrons who require them. Please just ask a venue representative at the front entrance if you need a chair(s).